Provides a personal and heartrending chronicle of the aftermath of the fires that devastated Los Angeles, including her own Altadena house. Yet, the wreckage of a neighborhood is fertile ground for new friendships and energies.

Steph, an Afrikaner, struggles with his past and heritage in the new South Africa. When his girlfriend befriends a black South African man called Vusisizwe, trouble brews.

The elements that rule Earth - Air, Fire, Earth and Water - are in their "regular inspection tour". We are following Water, in the form of the Rain Fairy. Traversing the land dressed like a poor woman, she learns that people really have begun focusing mainly on money and that love and goodness are disappearing.

Together, a weary cop and an all business FBI agent, team up to catch the latest homicidal manic: The Rain Killer. Just when they think that all the clues have been washed away, they find the one last clue; the one that's been in plain sight.

Erika, a young Okinawan-Canadian woman, returns home to convince her aging grandmother, Oba, to evacuate their family farm. As tensions rise between the two strong-willed women, buried histories and generational trauma come to the surface, revealing a powerful story of resilience, legacy, and the bonds that survive even in the face of destruction.

First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

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First, a question to the viewer: if it were raining indoors, where would we seek shelter from the insistent drops? Where would we feel safe and dry? We have to go to the other side of the threshold. Suddenly a bell rings, and who is it ringing for? “I spoke to me, he to he, she to she, the ground spoke to the ground, the trees to the tree. Meanwhile inside, the familiarity of that well met rain continues to be falling…“ writes the director. 　　The animation, which evokes the presence of a hand, is like pleasant afternoon rain in summer – a time for contemplation, talking to oneself, and beholding a sky at dusk. Australian-born Milly Yencken studied painting in Tasmania and received her classical animation training in Vancouver, continuing her studies at Masters level at the Estonian Academy of Arts. Her work combines oil painting with charcoal to create her signature brand of colour brutalism and fauvist embellishment, attempting to create spaces and images that are immersive and invite reflection in the viewer. 　　源自：https://rigaiff.lv/en/films-2023/austrumlietus/

A pair of children befriend an eccentric old man, who lives isolated on the far shore of their island home. But it turns out that the old man knows a terrible secret about the island and the whales who sometimes come. Meanwhile WWI is making life hard in the village.

After a troubled childhood, Ashley searches for a connection, and unknowingly invites in a demonic force, which leaves her loved ones fighting for her soul.